Born in Siberia, she gets her degree at the Mikhail Glinka State Conservatory in Novosibirsk. She then studies with R. Zhukova a Novosibirsk, Valentina Klenovanel, Galina Vishnevskaya at the Opera Centre in Moscow and has followed masterclasses with great Teresa Berganza. Since August 2006 she is a soloist at the K.S. Stanislavsky and V.I. Nemirovich-Danchenko of the Moscow Theatre.
She started a brilliant career singing: Rigoletto (Gilda) in Sofia, at the Philarmonicic Hall in Moscow, in Tiblisi (Georgia), at the Dalhalla Festival (Sweden), in Mexico, Estonia, Como, Brescia, Pavia, Cremona, Teatro degli Arcimboldi in Milan, Jesi, Fermo, with Teatro Regio di Parma in Saint Petersburg, at La Fenice in Venice, in China with the Hungarian Opera, at the Australian Opera in Sidney and Melbourne, in Helsinki; Glinka’s Ruslan and Ludmilla (Ludmilla), The Tzar’s bride (Marfa), Rimsky-Korsakov’s Not only love (Natasha) at the Philarmonic Hall in Moscow; La Traviata (Violetta) at the Philharmonic Hall in Moscow, in Rahvusooper (Estonia); in Japan with the Hungarian Opera, in Helsingsborg, at the Ravenna Festival, in a new production with Glyndebourne Touring Opera, at Teatro Donizetti in Bergamo (and on their Japan tour), at Teatro dell’Opera Giocosa in Savona, at Teatro Carlo Felice in Genova and at Teatro Ventidio Basso in Ascoli Piceno; Le nozze di Figaro (Contessa) at the Philarmonic Hall in Moscow; Don Giovanni (Donna Anna) at Teatro dell’Opera Giocosa in Savona and in Rovigo; L‘elisir d’amore (Adina) at the Philarmonic Hall in Moscow, at Teatro La Fenice and in Muscat; La Bohème (Musetta) at Teatro Massimo in Palermo and at La Fenice in Venice; L’occasione fa il ladro at Teatro Malibran in Venice; La Clemenza di Tito (Servilia) in Trieste; La scala di seta (Giulia) at Teatro La Fenice; Don Pasquale (Norina) at the Finnish National Opera in Helsinki; La Sonnambula (Amina) at Teatro Filarmonico in Verona, at Teatro Bellini in Catania and at La Fenice in Venice; her debut in Lucia di Lammermoor in Mexico City; Spontini’s Le metamorfosi di Pasquale at Teatro Malibran in Venice.
She has worked with such important conductors as: Renzetti, Frizza, Gelmetti, Montanari, De Marchi, Palumbo, Rustioni, Carminati, Ciampa, Rolli, Mazzola, Quatrini, Aprea, Di Stefano, Ommasini, Boemi, and directors such as: Abbado, Brusa, Carsen, Trevisi, Courir, Grinda, Morassi, Hodgman, Vizioli, De Ana.
She is also very active on the concert platform, having performed in Ust-Ilimsk, Irkutsk, Novosibirsk, Samara, Moscow, Krasnogorsk, Tarusa, Baku and in Macedonia. In the chamber music repertoire she has performed Dvoràk’s Gypsy Songs, Prokof’ev’s Five Poems of Anna Akhmatova, Šostakovich’s From Jewish Folk Poetry, as well as several songs by Brahms, Grieg, Rachmaninov, Rimsky-Korsakov, Tchajkovskij, Glinka, Mendelssohn, Schubert, Schumann, Strauss. She has also sung Brahm’s Ein deutsches Requiem, Mahler’s IV Symphony and Beethoven’s IX Symphony for Orchestra Verdi in Milan.
Among her recent and future engagements: La Traviata at La Fenice in Venice, in Arezzo, at Teatro Regio in Turin and on tour in Ljubiana conducted by Donato Renzetti; Il Borgomastro di Saardam (Marietta) at the Donizetti Festival in Bergamo, recently released on cd, dvd and Blu-Ray by Dynamic.