vichi-carlotta-mezzosoprano-mcdomani

Representation: General Management

Biography

Born in Milan, she starts studying singing at a very young age and graduates with full marks at Conservatorio Giuseppe Verdi in her home town. She then attends the Accademia di Alto Perfezionamento per cantanti lirici at Fondazione Festival Puccini in Torre del Lago and makes her debut in Suor Angelica (Zia Principessa).

She quickly becomes one of the most interesting singers of her generation and appears in: Il viaggio a Reims (Maddalena) at Teatro Coccia in Novara; Cavalleria rusticana (Mamma Lucia) at Teatro Goldoni in Livorno, at Luglio Musicale Trapanese and at Teatro Carlo Felice in Genova; La Cenerentola (Tisbe) at Teatro Regio in Turin; Die Zauberflöte (Dritte Dame) in Livorno, Pisa and Lucca; Rigoletto (Giovanna) at Teatro Verdi di Busseto, at Teatro Regio in Parma, Torino, Palermo and at La Fenice in Venice; Madama Butterfly (Suzuki) at Teatro Carlo Felice in Genova; La Wally (Afra) in Reggio Emilia, Modena and Piacenza; Il trovatore (Ines) at Festival Verdi in Parma and at Teatro Massimo in Palermo; Adriana Lecouvreur (Madamigella Dangeville) in Palermo and Genova; Nabucco (Fenena) at Kurtheater in Bad Ems and at Kurhaus in Bad Schwalbach; La traviata (Flora) in Busseto, Bolzano, Piacenza, Modena, Reggio Emilia, Novara and Palermo; Lucia di Lammermoor (Alisa) at Carlo Felice in Genova (recorded on cd and dvd); Carmen (Mercedes) at Luglio Musicale Trapanese; Bianca e Fernando (Eloisa) recorded on cd and dvd by Dynamic, Mendelssohn’s Ein Sommernachtstraum, Rossini’s Petite Messe Solennelle and Mozart’s Requiem at Teatro Carlo Felice in Genova; Ernani (Giovanna) at Festival Verdi in Parma.

Many rare works feature in her wide repertoire, both operatic and vocal works. Among them we remember: Janacek’s P?íhody lišky Bystroušky (Lapak) at Teatro Regio in Turin; Dallapiccola’s I cinque frammenti di Saffo in Milan; Albero Colla’s Delitto e dovere (Lady Gladys Windermere) at the Spoleto Festival dei Due Mondi and at Teatro Coccia in Novara; Respighi’s Il Tramonto, La bella addormentata nel bosco and Giordano’s Siberia in St. Petersburg.

She has worked with such prestigious conductors as: Marco Alibrando, Paolo Arrivabeni, Matteo Beltrami, Daniele Callegari, Laurent Campellone, Fabrizio Cassi, Francesco Ivan Ciampa, Giovanni Di Stefano, Giuseppe Finzi, Valerio Galli, Oksana Lyniv, Jan Latham-König, Michele Mariotti, Pier Giorgio Morandi, Daniel Oren, Renato Palumbo, Stefano Ranzani, Donato Renzetti, Sebastiano Rolli, Speranza Scappucci, Beatrice Venezi, Andriy Yurkevych, Massimo Zanetti, Omer Meir Wellber, and directors such as: Gianmaria Aliverta, Lorenzo Amato, Nicola Berloffa, Arnaud Bernard, Renato Bonajuto, Henning Brockhaus, Elisabetta Brusa, Robert Carsen, Elisabetta Courir, Emma Dante, Hugo de Ana, Luigi Gangi & Ugo Giacomazzi, Paolo Gavazzeni & Piero Maranghi, Lindsay Kemp, Lorenzo Mariani, Leo Nucci, Alessio Pizzech, Renata Scotto, Ivan Stefanutti, Alessandro Talevi, John Turturro.

Among her recent and future engagements: La traviata (Annina) directed by Renata Scotto at Opera Giocosa in Savona and at Teatro Lirico di Cagliari directed by Henning Brockhaus; Les vêpres siciliennes (Ninetta) at Teatro Massimo in Palermo conducted by Omer Wellber and directed by Emma Dante as well as, in the italian version, at Teatro Comunale di Bologna and at Teatro San Carlo in Naples; Otello (Emilia) in Piacenza; Adriana Lecouvreur at Teatro Regio in Parma; La Cenerentola (Tisbe) at Teatro Carlo Felice in Genova and at Teatro Verdi in Trieste; I due Foscari (Pisana) at Teatro La Fenice in Venice.